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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles., Billy stared at the old man; then his face broke into a grin. "O Gee!" he sighed, and sinking on a log, closed his eyes. "O Gee!" he repeated—leaping to his feet and throwing his arms about the neck of the bay and yelling into that animal's twitching ear. "Hear that, you Thomas? They're married, Erie an' Teacher Stanhope's married!", "I see it," returned Billy. "I guess I ain't scared of no snakes in these parts.".